Archive for the 'Design' Category

Technological Roads

This has been on my blog to-do list for a while now, and have been prompted again to post it having seen the same subject on the BBC site yesterday.

With the technology of cars advancing impressively to include all manner of smart sensors, “green” electric motors, parking assistance, and even driverless cars, none of this really matters if we don’t have suitable roads to drive on.

Roads.  Just a bit of tarmac laid down (relatively) smoothly with some painted lines, right?  Well, yes, but why can’t we incorporate some technology into them.  Improving them to adapt to traffic and weather, making them more sustainable, making them safer.

Well that’s exactly what Daan Roosegaarde of Studio Roosegaard thought when he set about designing technological advances to our roads as part of a Smart Highways project.

I was completely amazed that we somehow spend billions on the design and R&D of cars but somehow the roads – which actually determine the way our landscape looks like – are completely immune to that process.  They are still stuck in the Middle Ages, so to speak.

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The first, and perhaps most obvious, upgrade to our roads is to use a phosphorescent paint for the road markings.  Inspired by deep sea jelly fish it fuels the idea of a energy-neutral street, as the paint “charges up” during daylight hours and then glows throughout the night.  This is ideal in rural areas where existing street lighting is minimal, and perhaps one day even removes the need for any altogether.

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Following on from that idea, in the colder months temperatures can drop quickly leaving drivers unaware about looming icy and inclement conditions.  The use of a dynamic temperature-sensitive paint would provide a simple alert system to drivers by ghosting up snowflakes on the road to act as a warning system when the tarmac becomes cold enough for ice to form.

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In order to keep running and maintenance costs down, most of the ideas here focus on free and renewable energy resources.  Linked neatly to that is wind power.  At either end of tunnels large amounts of wind and air flow can circulate which is essentially wasted energy at the moment.  The plan is to use harness this air and, when combined with other air flows from the central reservation of cars passing in opposite directions, use it to power small turbines and further light sources for edge lighting.  Similar sorts of applications are already in use on the railways (certainly in the UK anyhow).

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With an increasing presence of electric vehicles on the roads, the idea of an Induction Priority Lane doesn’t sound far away.  The concept is to build-in coils capable of recharging electric cars as they pass overhead, extending the battery life and range of which a current electric motor and battery setup can provide.

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Studio Roosegaard was awarded a Best Future Concept award at the Dutch Design Awards last year, and Dutch civil works firm Heijmans has already taking the first steps in developing the concepts of using photo luminescence on the roads, making sure the cars of tomorrow have something suitable to drive on.  In fact, a 137m stretch of real road, nicknamed Route 66 of the future, will feature some of these ideas later this year!

Yes lots of these ideas are costly and perhaps difficult, or near-impossible, to implemented at the moment.  But so is any new idea, particularly one as revolutionary as this.  Roads haven’t been gradually iterated over past decades, they have essentially remained the same over a very long period of time so to break into that infrastructure is always going to be tricky.

As a designer I fully commend and support the approach and ideas here, and as general members of society everyone (designer or not) should too.  I think the key thing to remember here is that the suggestion isn’t for every road in the world to have these.  Starting out with just major routes and motorways, and gradually trickling the technology down to commuter routes and, who knows, by that point maybe even bicycles will have been given some more consideration in this!

More information in a great video on the Smart Highways project here.

Bike City

With cycling more popular than ever, and London Mayor Boris Johnson set to make London ”the most attractive city to cycle in for everybody” with a £913m investment, you can’t help your mind conjuring up images of a total bike city in your head.

Brazilian designer duo Bruno Ferrari and Rodrigo Paranhos have gone one step further than just thinking about it, and recreated a bicycle tyre as the mini rubberised urbanscape of Bike City.

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A tremendous amount of detail has been included in the model, from the buildings (complete with windows) to a variety of trees and landscaping, through to individual road markings.

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The design remains just a concept at the moment, but the traffic-free roads dotted with mini cyclists (all wearing helmets, if the debate needed any more fuelling!) do look appealing, and perhaps hint at the future of cities worldwide.

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More interesting work on their Behance profiles here and here.

Via Cycle Love.

Barista Bot

I love coffee.  Not the instant stuff, but proper coffee.  Not every coffee shop gets it right, as with everything in life some are better than others.  Some are worth travelling for, some are worth travelling to avoid.

However, I think that regardless of the coffee in this instance, for someone who loves coffee and robots, I’d happily travel to give the Barista Bot a go.

Forget Starbucks’ individually named cups, this is true personalisation!

Created for General Electric at SXSW earlier this year, this wonderful creation is the collaborative design and engineering efforts of Hypersonic and Rock Paper Robot along with Jamie Zigelbaum and Kyle McDonald.

We tried to imagine how we could take a common experience and make it interactive and fun

Using real time data analysis the customer has their facial characteristics carefully analysed and converted into line art (albeit slightly wonky, but that gives the portrait character) before the Barista Bot draws their face into the latte with a carefully measured syringe of coffee.

Check out the images on the Hypersonic site here.

The Porsche 911: An Ode To Iteration

The Porsche 911.  A classic.  The “quintessential sports car”.

Instantly recognisable and instantly appreciated by drivers and non-drivers alike, by designers and non-designers as much for it’s aesthetic quality as the technical specification it boasts.  A testament to all of the designers and engineers that have been involved over the seven generations of 911 that in 2013 the car turns 50 years old.

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A great example of iteration in design, tweaking and refining the 911 model as materials and technologies improve, as well as keeping up with fashion and motoring style across five decades.  The collection has spawned a seemingly infinite number of variations of the Turbo, GT2, GT3, S, RS, SC (and more) if you look into it!

the 911 reconciles apparent contradictions such as sportiness and everyday practicality, tradition and innovation, exclusivity and social acceptance, design and functionality

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Porsche are celebrating with a variety of events throughout the year, including the Retro Classics show in Stuttgart and a special exhibition at the Porsche Museum to “chronicle the development of the legendary sports car”.

Legendary is not a term to throw around lightly, but with the 911 I think they are fully justified.  I even remember as as young boy I had a silver Porsche 911 scale model that sat on my bookshelf, nestling itself nicely amongst a collection of Roald Dahl books.  One day…

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Over 820,000 911s have been produced in this time, which Porsche claim makes it the “most successful sports car in the world.”  Quite an achievement.

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More photos in Porsche’s media pack here.

I, Pencil

I, Pencil: The Movie is an animated adaptation by the Competitive Enterprise Institute of the 1958 essay by Leonard E. Read.  It’s such an obvious and simple thought to consider, yet one that rarely has been.

“I, Pencil” is a story told from the point of view of the pencil, detailing how unexpectedly complex the seemingly simple pencil is.

Just because it’s familiar, doesn’t mean it’s simple

It follows through to consider the vast numbers of people that contribute to its creation, and as such how not a single person has the knowledge or experience to make it themselves.  An astounding claim, but one that certainly seems to hold true.

Extended commentary versions on the site here.

D&AD White Pencil 2012

The annual D&AD Awards showcase an absolute legacy in the most creative and innovative design works.  Each year they award a variety of categories with symbolic coloured pencils, rather apt since they represent the origin of almost all ideas.

In addition to their famous black and yellow pencils, they most recently added a white pencil to the list of honours.  Representing a new initiative designed to harness the power of “genuine social impact”, and awarded to a creative idea with the potential to effect real and positive change in the world.

Chosen from a shortlist of 19 entries (here and here), the prestigious first ever winners of the D&AD White Pencil were Leo Burnett Chicago for their Recipeace campaign.  Huge congratulations to them for a very successful campaign.

Recipeace is a social movement that looks to continue the tradition of International Peace Day by bringing people together over food.

The campaign builds awareness for Peace Day on a global scale, while inspiring peaceful action on an individual level

More on the D&AD site here.

Jonathan Speirs, 1958-2012

It was with great sadness that late last night I read that Jonathan Speirs had passed away after a long battle with cancer.

You may not know who Jonathan Speirs is, but I am sure you will know his work. Speirs is the lighting designer responsible for such incredible designs as the Burj Al Arab in Dubai, Barajas Airport in Madrid, and the Gateshead Millenium Bridge in Newcastle upon Tyne.

Working as a lighting designer myself I am more than aware of his work and what he has done for the industry.  I never met the man, but like so many others, was continually inspired by his works. My Creative Director at Neolight Design knew Jonathan well and worked with him for many years, not least on the facade of one of the world’s most iconic structures – the Burj al Arab, with nothing but praise for him.

Through others I was very much influenced by his teachings and works, the cleverest of details simply transforming buildings and projects to something awe-inspiring.

Jonathan is a huge loss to all involved in the creative and design industry, not just constrained to either lighting or architecture.  I even noted Speirs as one of my greatest sources of inspiration when Lighting Magazine interviewed me last year!

Tributes from colleagues of Jonathan’s over on Lux Magazine say so much, as does an incredibly poignant tribute from Mark Major, Jonathan’s friend and creative partner.

How A Bicycle Is Made (1945)

This is absolutely brilliant.  The design and manufacture of Raleigh bicycles in the mid-40s, as told by a designer to a father and son.

The process of manufacture is traced from the beginning; the design on paper and the raw materials. We see what goes to make the steel tubes of the frames, the handle bars, the gear wheels, the pedal cranks, the pedals, the spokes, the wheels and the hubs, until at last the complete bicycle is ready for testing.

More information on this short film over at the British Council Film.

Hat tip to Mr. Jolly for sending this my way.

E. Chromi

Three years ago a group of seven Cambridge University undergraduates embarked on a summer of genetic engineering, specifically at a bacterial level.

The multi-disciplinary group of designers and scientists designed DNA sequences that encouraged the bacteria to secrete coloured pigments at wavelengths within the spectrum of visible light, meaning that us humans can see them.

This synthetic biology of a single DNA sequence is known as a BioBrick, a mix of designed genes from existing organisms that enable certain types of bacteria to be even more useful.

For example, programming the bacteria to produce a warning colour if toxins are present in what would otherwise be unsafe drinking water.  Indicator potential such as this led to E. chromi winning the Grand Prize at the 2009 International Genetically Engineered Machine Competition (iGEM).

E. chromi – living colour from bacteria.  Really fascinating stuff.

Follow @echromi on Twitter for their latest project updates.

Faceture

New Zealand based designer Phil Cuttance has a rather impressive series of vase and lightshade sculptures in his portfolio.

Known collectively as Faceture, each object is produced by casting a water-based resin into a simple moulding which has been manipulated by hand to give the object a completely unique form.

In a recent video Phil has lifted the curtain on the production process behind his series of Faceture sculptures, giving a rare insight into the manufacturing techniques used.

The casting takes shape complete with sharp accurate lines and a digital quality to its aesthetic, a visual ‘surprise’ considering the ‘lo-fi’, hand-made process involved.

The material used to cast these wonderfully tactile creations is Jesmonite, and the “low-tech” casting jig on the machine allows Phil to view directly into the mould and control the flow of the quick-set composite.  This allows it to be cast evenly to produce a uniformly strong wall thickness.

The final shape of the mould is dictated by triangular facets “popped” in and out by the designer.  Phil does the “popping” between every casting to ensure that no two of his creations take on the same form, so you’re sure to get an absolutely unique product!

The Faceture project was created with the support of Creative New Zealand.


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